JOSH RICHARDSON
Plant growth is governed by the Fibonacci sequence, which can be understood as a law of accumulation. The role of the Fibonacci sequence in the growth of plants is a intriguing example of the unifying order behind all creation. These patterns exist at all levels and permeate the universe, reminding us that the same swirling energy is shaping, sunflowers, whirlpools, spinning galaxies, and our own DNA.
Sacred Geometry is the meeting of science and spirituality, ‘the blueprint, the structure of spacetime that organizes matter.’ It is an ancient science that explores and explains the language or building blocks of all things in our Universe.
When one looks into the absolutely vast amount of information that has been collected on the extensive number of forms in which Nature employs the proportion of Phi, it is obvious that there is no other specific number that recurs throughout life on Earth with such regularity.
In effect, the Fibonacci sequence describes how things grow, building and multiplying according to what's already there. This growth by accumulation is reflected in how trees branch, flowers form, and ferns unfurl.
All phenomena, from the infinitely small to the infinitely big ... the growth of plants, human body proportions, the structure of crystals, the orbit of the planets, light, music and more has a specific geometric structure. Everything in the Universe follows the same geometric pattern that fractals over and over creating endless possibilities of light, color, shape and sound. Every motion, system of growth, cell, plant, animal, planet, star, galaxy and black hole are all ruled by the mathematical laws of sacred geometry. Ancient cultures around the world have used this ‘mystery school’ knowledge to build monuments, churches and sacred sites. We have been studying these places for ages and through modern science perhaps we now beginning to understand the meaning and purpose behind these structures.
In an overwhelming number of plants, a given branch or leaf will grow out of the stem approximately 137.5 degrees around the stem relative to the prior branch. In other words, after a branch grows out of the plant, the plant grows up some amount and then sends out another branch rotated 137.5 degrees relative to the direction that the first branch grew out of.
The Fibonacci sequence governs the placement of leaves along a stem, ensuring that each leaf has maximum access to sunlight and rain. If you look straight down along a stem, the leaves (or branches) emerging from it will spiral such that when you count from one leaf to the one that lines up directly below it, the number of leaves between them and the number of times that group of leaves spirals around the stem will both be Fibonacci numbers.
This same principle is at work in the formation of pine cones, sunflowers, pineapples, and cacti. All have a double spiral structure that allows their smaller elements (seeds, for instance) to pack closely and efficiently. Look at the middle of a sunflower: you will see that the seeds line up in crisscrossing spirals radiating from the center, and if you count the number of spirals turning in each direction (clockwise/counterclockwise), they will always be Fibonacci numbers.
Here are 15 plants that perfectly demonstrate this principle:
Source: http://preventdisease.com/news/15/042715_15-Plants-Teach-Us-Sacred-Geometry-At-Its-Finest.shtml
Showing posts with label Sacred Geometry. Show all posts
Showing posts with label Sacred Geometry. Show all posts
Tuesday, April 28, 2015
Wednesday, April 8, 2015
15 Uncanny Examples of the Golden Ratio in Nature
The famous Fibonacci sequence has captivated mathematicians, artists, designers, and scientists for centuries. Also known as the Golden Ratio, its ubiquity and astounding functionality in nature suggests its importance as a fundamental characteristic of the Universe.
We've talked about the Fibonacci series and the Golden ratio before, but it's worth a quick review. The Fibonacci sequence starts like this: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55 and so on forever. Each number is the sum of the two numbers that precede it. It's a simple pattern, but it appears to be a kind of built-in numbering system to the cosmos. Here are 15 astounding examples of phi in nature.
Leonardo Fibonacci came up with the sequence when calculating the ideal expansion pairs of rabbits over the course of one year. Today, its emergent patterns and ratios (phi = 1.61803...) can be seen from the microscale to the macroscale, and right through to biological systems and inanimate objects. While the Golden Ratio doesn't account for every structure or pattern in the universe, it's certainly a major player. Here are some examples.
1. Flower petals
The number of petals in a flower consistently follows the Fibonacci sequence. Famous examples include the lily, which has three petals, buttercups, which have five (pictured at left), the chicory's 21, the daisy's 34, and so on. Phi appears in petals on account of the ideal packing arrangement as selected by Darwinian processes; each petal is placed at 0.618034 per turn (out of a 360° circle) allowing for the best possible exposure to sunlight and other factors.
The head of a flower is also subject to Fibonaccian processes. Typically, seeds are produced at the center, and then migrate towards the outside to fill all the space. Sunflowers provide a great example of these spiraling patterns.
In some cases, the seed heads are so tightly packed that total number can get quite high — as many as 144 or more. And when counting these spirals, the total tends to match a Fibonacci number. Interestingly, a highly irrational number is required to optimize filling (namely one that will not be well represented by a fraction). Phi fits the bill rather nicely.
Similarly, the seed pods on a pinecone are arranged in a spiral pattern. Each cone consists of a pair of spirals, each one spiraling upwards in opposing directions. The number of steps will almost always match a pair of consecutive Fibonacci numbers. For example, a 3-5 cone is a cone which meets at the back after three steps along the left spiral, and five steps along the right.
4. Fruits and Vegetables
Likewise, similar spiraling patterns can be found on pineapples and cauliflower.
5. Tree Branches
The Fibonacci sequence can also be seen in the way tree branches form or split. A main trunk will grow until it produces a branch, which creates two growth points. Then, one of the new stems branches into two, while the other one lies dormant. This pattern of branching is repeated for each of the new stems. A good example is the sneezewort. Root systems and even algae exhibit this pattern.
6. Shells
The unique properties of the Golden Rectangle provides another example. This shape, a rectangle in which the ratio of the sides a/b is equal to the golden mean (phi), can result in a nesting process that can be repeated into infinity — and which takes on the form of a spiral. It's call the logarithmic spiral, and it abounds in nature.
Snail shells and nautilus shells follow the logarithmic spiral, as does the cochlea of the inner ear. It can also be seen in the horns of certain goats, and the shape of certain spider's webs.
Not surprisingly, spiral galaxies also follow the familiar Fibonacci pattern. The Milky Way has several spiral arms, each of them a logarithmic spiral of about 12 degrees. As an interesting aside, spiral galaxies appear to defy Newtonian physics. As early as 1925, astronomers realized that, since the angular speed of rotation of the galactic disk varies with distance from the center, the radial arms should become curved as galaxies rotate.
Subsequently, after a few rotations, spiral arms should start to wind around a galaxy. But they don't — hence the so-called winding problem. The stars on the outside, it would seem, move at a velocity higher than expected — a unique trait of the cosmos that helps preserve its shape.
8. Hurricanes
Faces, both human and nonhuman, abound with examples of the Golden Ratio. The mouth and nose are each positioned at golden sections of the distance between the eyes and the bottom of the chin. Similar proportions can been seen from the side, and even the eye and ear itself (which follows along a spiral).
It's worth noting that every person's body is different, but that averages across populations tend towards phi. It has also been said that the more closely our proportions adhere to phi, the more "attractive" those traits are perceived. As an example, the most "beautiful" smiles are those in which central incisors are 1.618 wider than the lateral incisors, which are 1.618 wider than canines, and so on. It's quite possible that, from an evo-psych perspective, that we are primed to like physical forms that adhere to the golden ratio — a potential indicator of reproductive fitness and health.
10. Fingers
Looking at the length of our fingers, each section — from the tip of the base to the wrist — is larger than the preceding one by roughly the ratio of phi.
Even our bodies exhibit proportions that are consistent with Fibonacci numbers. For example, the measurement from the navel to the floor and the top of the head to the navel is the golden ratio. Animal bodies exhibit similar tendencies, including dolphins (the eye, fins and tail all fall at Golden Sections), starfish, sand dollars, sea urchins, ants, and honey bees.
Speaking of honey bees, they follow Fibonacci in other interesting ways. The most profound example is by dividing the number of females in a colony by the number of males (females always outnumber males). The answer is typically something very close to 1.618. In addition, the family tree of honey bees also follows the familiar pattern. Males have one parent (a female), whereas females have two (a female and male). Thus, when it comes to the family tree, males have 2, 3, 5, and 8 grandparents, great-grandparents, gr-gr-grandparents, and gr-gr-gr-grandparents respectively. Following the same pattern, females have 2, 3, 5, 8, 13, and so on. And as noted, bee physiology also follows along the Golden Curve rather nicely.
13. Animal fight patterns
When a hawk approaches its prey, its sharpest view is at an angle to their direction of flight — an angle that's the same as the spiral's pitch.
According to Jasper Veguts, a gynaecologist at the University Hospital Leuven in Belgium, doctors can tell whether a uterus looks normal and healthy based on its relative dimensions — dimensions that approximate the golden ratio.
From the Guardian:
Over the last few months he has measured the uteruses of 5,000 women using ultrasound and drawn up a table of the average ratio of a uterus's length to its width for different age bands.
The data shows that this ratio is about 2 at birth and then it steadily decreases through a woman's life to 1.46 when she is in old age.
Dr Verguts was thrilled to discover that when women are at their most fertile, between the ages of 16 and 20, the ratio of length to width of a uterus is 1.6 – a very good approximation to the golden ratio
"This is the first time anyone has looked at this, so I am pleased it turned out so nicely," he said.
15. DNA molecules
Even the microscopic realm is not immune to Fibonacci. The DNA molecule measures 34 angstroms long by 21 angstroms wide for each full cycle of its double helix spiral. These numbers, 34 and 21, are numbers in the Fibonacci series, and their ratio 1.6190476 closely approximates Phi, 1.6180339.
Thanks to Calvin Dvorsky for helping with the article!
Source: http://io9.com/5985588/15-uncanny-examples-of-the-golden-ratio-in-nature
Source: http://io9.com/5985588/15-uncanny-examples-of-the-golden-ratio-in-nature
Thursday, March 28, 2013
How Leonardo da Vinci Used Sacred Geometry in Painting the Mona Lisa
There is strong evidence that supports Leonardo da Vinci’s use of Sacred Geometry, also known as the Golden Ratio or Golden Number, while creating the Mona Lisa.
Last spring, I learned about the use of the Golden Ratio when I took a painting workshop from the very accomplished painter, Michael Workman. Understanding the elements of scared geometry will help elevate and enhance your own artistic compositions.Besides the Mona Lisa, the Golden Number 1.61803398874989… was used in the planning and construction of religious structures as well as for sacred spaces. Apparently, da Vinci methodically laid out his composition before he started to paint in order to align his model while using a camera obscura or camera lucida as suggested by David Hockney.
In the future, I plan to post an in-depth article on the subject of the Golden Ratio. Until then, I hope you enjoy this interesting look at the mysterious creation on the Mona Lisa where you will learn how to analyze da Vinci’s compositional process.
Read more: http://www.finearttips.com/2012/03/how-leonardo-da-vinci-used-sacred-geometry-in-painting-the-mona-lisa/#ixzz2OtviAHSQ
Tuesday, March 12, 2013
Spirit Science~ Toroidal Flow and Power of the Heart
http://soundofheart.org/galacticfreepress/content/spirit-science-toroidal-flow-and-power-heart
The Torus is a fundamental geometry in all of reality, and very inherently connected to the essence of our existence. It quite literally connects ideas about nature and energy flow with the infinite nature and the source field of all things.
The Torus is a fundamental geometry in all of reality, and very inherently connected to the essence of our existence. It quite literally connects ideas about nature and energy flow with the infinite nature and the source field of all things.
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